Archives for the category ‘Social Media’

Zimbalam Artist Websites – The hub of your promo campaign

April, 6th 2011 17:34

One of our premier free tools, the Zimbalam Artist Page, allows our musicians to create simple websites, centralise their content, sell their music and even run promotional campaigns.

Artist Pages are easy to create and require no HTML knowledge to customise, embed videos & upload your artwork. Simply choose a unique address for your page (e.g. myband.zimbalam.com) and follow the easy-to-follow steps.

You can start by adding your Zimbalam Music Player which holds your streamable Music with

  • Direct-buy links to your fan’s favourite download store
  • News
  • Biography
  • Artwork
  • Album Information
  • Video
  • Newsletter/mailing list signup

Exclusive to Artist Zimbalam Artist websites is the free track function – You can now give people a free track in exchange for their email address – a great way to build your mailing list

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Another useful tool to incorporate into your promo strategy is Pro Space. Create Pro Space campaigns to offer exclusive, private content from your page.Create unique logins for journalists, fans, media (whoever you want!). With this unique login they can access & download exclusive content such as PDFs, tracks, zip files – you name it! They will be able to leave you feedback in return.

Links

  • Link your page to Facebook and Twitter from the site and the player. Increase your fanbase on multiple sites at once.
  • Your Zimbalam artist page provides detailed analytics to understand who’s visiting your page and understand the effect of your promotional efforts.

Why spend hours rebuilding your ‘new’ MySpace page when you can create a new Zimbalam artist page in a few minutes with all the functionality of MySpace and so much more! What’s more, there are no adverts on our site to annoy your fans!

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Win! Send us your completed artist pages via our Facebook page and the best ones will win a free release with Zimbalam. Extra points will go to pages that not only look good but make use of our tools, such as the free track in exchange for email function.

Just because you don’t need HTML doesn’t mean you won’t need some ideas for personalising your page.Don’t forget that personalising your Artist Page can mean changing: the header, side banners, video or images and font colours.

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Check our gallery of inspiring pages below:

  1. Tiled Vertical Banner
  2. In the above image Peer Gynt, uses tiled images to create an appropriately themed site.

  3. Side Banner with Additional Information
  4. Conversely, Luke Bredin’s site makes use of information to complete his site.

  5. Textured Page
  6. Finally Pipedreams, has made great use of a textured image throughout the side banners and heading to create a professional looking website.

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This post is by Believe Digital Social Media Manager Shanni Elcock @shandogspeaks

Using Online Media to Promote Your Music

February, 22nd 2011 10:30

The internet has had a disastrous effect on traditional media, as people are becoming more dependent on blogs, e-zines and social networks to discover music and are less dedicated to the established players filling the racks of your local newsagent. However, as a musician in the 21st century, the NME’s loss is your gain.

Think of your online media campaign as equivalent to gigging. Playing in front of lots of small audiences will build up to a larger fanbase. This in turn will get you gigs in front of bigger audiences and so on. In the same way, start with the smaller, niche blogs and e-zines to gain the exposure that will make larger sites take notice of you.

Be prepared to give stuff away. This will remain true for the whole of your career, but particularly at the beginning. People will only pay for stuff if they want it. If they’ve never heard your music, they won’t know if they want it yet.

The internet is brimming with free tools and opportunities for promoting your music, in a way that just wasn’t possible with traditional media. A little bit of know-how (and a lot of time) can get you a long way.

Having an Angle

When attracting press attention, whether online or print, it is vital to have an angle. No one is going to feature you just because you ask. It’s important to tie your contact with an event: a single release, album release or tour are the usual suspects.

It’s also important to target the sites you’re hassling for exposure. There’s no point asking a heavy metal e-zine to plug your new single if you’re a hard house DJ. A site will only feature music they think their readers will be interested in. Every music writer/DJ wants to be the one to discover the Next Big Thing, but their primary interest is keeping people reading/listening.

That’s the Catch 22 of music promotion: the big acts get the most column inches because they attract the most attention. But they get the most attention because they get the most column inches.

The upshot is that until you’ve made a name for yourself, only the smaller sites are likely to feature you as they have less invested.

Blogs/e-zines

So you’ve got your single coming out, with a tour to follow – how do you find the blogs and e-zines that will feature you? Chances are you spend too much time making music to read all the blogs, and even if you do, you’re unlikely to read as many as you need to get a decent amount of exposure.

The first step is to create a spreadsheet (not very rock ‘n’ roll but it can’t all be strippers and broken TVs) and start filling it with any e-zines and blogs you already know of that you think your music would fit. Get email addresses.

Then, use blog aggregators like Hype Machine to find blogs featuring artists similar to you (obviously no one has ever made music like you, but you must’ve listened to something while you were growing up). Make sure to note how you found each one, it’s important for when you email them. Use the same approach on Google/Google blogs.

Once you’ve compiled a healthy looking spreadsheet, it’s time to start emailing. Here are some crucial points to bear in mind:

  1. Do tell them why you think they and their readers would be interested in your music. E.g. ‘I found your blog on Hype Machine while searching for Captain Beefheart, he was a big influence on us so I thought you might be interested in our new single.’
  2. Do be open about what you want. If you just tell a blogger they might like your song they’ll just listen to it and smile (hopefully). If you ask them to feature it, they might do just that (hopefully).
  3. Do give them something free to post. People like free stuff. Bloggers and site-owners know this. Let them have a low-quality stream to embed on their site. Some people will really like it and pay for it. If no one’s heard it, no one will like it.
  4. Do email sites that are probably too big to feature you. You don’t get if you don’t ask.
  5. Don’t presume they will automatically feature it. Be polite. Until you’re a big draw, they’re doing you a favour.
  6. Don’t send attachments in a first email. It’s rude. If you’ve got a press release (and you should), upload it somewhere and link to it, or ask if you can send it over.
  7. Don’t send more than one reminder email. It’s entirely possible they read your first email and forgot to reply. Not replying twice is deliberate.

These 7 points will significantly improve your chances of getting featured. Fact.

Embeddable Players

One of the best tools to emerge over the last couple of years is the embeddable player. Using something like Zimbalam’s own player you can easily distribute your release to blogs and e-zines for embedding without having to transfer any data or give access to anything you don’t want other people to have.

If you’re not familiar with players like this, they work in the same way as YouTube widgets. You get a little bit of code that you can send to whoever is featuring your track, and they add it into their post. Users can then play your track straight off the page. Some players even feature ‘buy’ links so people can buy your tune before they’ve even finished listening to it.

The standard format for preview streams is 128kbps mp3. Almost every music blog has a disclaimer in the sidebar about how all the music featured on the blog is low quality, and asking readers to support the artist by buying the music if they like it.

Free Singles

Free singles are rarely entirely free. They usually come with a string attached – signing up to a mailing list or liking a page on Facebook. Giving away a free download in exchange for an email address is one of the most effective ways of growing your audience online, particularly when used as the ‘event’ in your online media campaign.

Obviously you don’t want to give away the product of your blood, sweat and tears, but the larger your mailing list, the more people you can tell about your new (paid-for) single or album in the future. Similarly, bloggers and writers may be more inclined to feature you. It makes them look like they’re giving away something for free. And people like free stuff.

Even though people aren’t paying for it, treat it just like a ‘proper’ single release. The exposure you get from it will pay for itself in spades. If it’s good enough for Coldplay, it’s good enough for you.

Exposing Yourself

You will already have an active presence on the main social networks (Facebook, Twitter) but to build a larger following you will need to get some exposure to other audiences. Nothing has changed in this respect, but what the internet has done is opened up more opportunities to get this exposure. You don’t have to get A-listed on Radio 1 anymore.

Find out more about what Bozboz do for musicians, DJs and labels at www.bozboz.co.uk

Nick Lewis
Digital Strategist
Bozboz

Zimbalam music industry guide part 1: social networking

February, 7th 2011 09:02

Social networks

Getting your music heard online, amongst millions of other artists, tracks, videos and pictures of funny cats is no easy job. Social networks however allow us as musicians and marketers to communicate with people who are interested in our music and allow them to easily recommend and share our work with their friends.

There is a sizeable difference between the way that you personally use social networks such as Facebook and Twitter and the way that you approach them as an artist. One often cited issue is that artists do not want to ‘tell everyone what they had for breakfast’ i.e revealing personal information about themselves. With a careful social network strategy it is easily possible to create interesting and discursive presences without needing to resort to that sort of information. Consider that your presence on these sites is not just to convey a stream of ‘news’, you can use photos, images, artwork, competitions, questions, top tens, recommendations, videos, links and many other varieties of ‘media’ that are easily at your disposal.

Above anything else a good presence on these sites begins with regular updates and attention to detail. Increasingly these sites are a ‘touch point’, the first place that curious potential fans come to learn more about you and your music. We have written at length on our blog (www.goodlizardmedia.com) about the need to have up-to-date information, takeaway media (i.e a few free mp3s they can put on their iPod or save to their media player), mailing list sign-ups and as many other ways as is pertinent to retain that person as a fan from the very first visit.

Without doubt the most influential and largest user base for artists is Facebook, so lets look at some stats and then a few ways to make the most of your page:

Facebook

  • More than 500 million active users
  • 50% of our active users log on to Facebook in any given day
  • Average user has 130 friends

It’s near impossible to argue that Facebook is not of great importance to your online strategy based on the above stats, so how can you keep one step ahead of the other 900 million objects that these people interact with (pages, groups, events and community pages).

Creating engaging content is key. There has to be good reason for people to ‘like’ your page and to continue to view your wall posts. As mentioned at the start keep posting different types of content and wherever possible create discussion by asking questions. So for example posting:

“Here are some photos from the Brixton show last week”

Is great. But you could try,

“Some photos from the Brixton show last week, who was there and what did you think of our setlist?”

or

“Some photos from the Brixton show last week, we only have a few, post any photos you have to the wall and we’ll include them in the photo album”

Especially with pages under 1,000 or so followers it will take time for this approach to generate good discussion but it is worth sticking with. Facebook is a community and the more people that are posting on your wall, the greater the awareness will be amongst their friends and the wider audience.

Using shareable content and players that enable you to do this. Soundcloud (www.soundcloud.com) if you are not already using it, have great players that you can post directly into a post on your wall. These have share buttons built into them so fans can very easily repost the player to their own profiles and recommend onto friends. Given the stat above that ‘the average user has 130 friends’, imagine the effect if all say 500 of your followers did this, you would reach an audience of up to 65,000 people. An often unutilised side of Facebook is its video uploading function. Instead of posting a Youtube link on your wall, try using the Facebook video service instead. The great advantage of this is that followers can ‘like’ the video itself which when clicked will show up in their personal feed. Again the same possibilities of spreading virally apply as those with the Soundcloud player.

Use the analytics or ‘insights’ as they are called on Facebook, to understand your audience. It is possible to get very useful data on how often people visit the page, their demographic and geographic information and the popularity of different content that you post. Use this information to tailor your updates, perhaps more photos if they are more popular or decrease the regularity of updates if the interest drops for example.

Finally make the best use of new visitors by directing them to a dedicated tab when they first visit. Your Facebook page gives you the opportunity to decide where all visitors who have not already ‘liked’ your page are directed to when they come to your page. One of the most popular ways to do this is to set-up a Rootmusic (www.rootmusic.com) page or similar which embeds a music player, tour dates and photos into one tab, similar in concept to Myspace.

Which leads neatly into a few lines on Myspace. It is pretty clear that although Myspace still has a large reach and significant visitor numbers, it is no longer (in this country at least) used effectively as a social network. What it does work as still is a touch point for people wanting to find out about your music. If a friend has recommended a new band to you at college or work, when you next get to a computer one of the places most likely to be first visited to find out more will be Myspace still. So your job here is to provide the information and music that best represents you as an artist and then move those visitors onto another social network (i.e Facebook, Twitter etc) or to a mailing list where you can contact them further in the future. This is a simple case of embedding buttons and forms that make it as easy and as obvious as possible for the visitor to do this.

Do not, however, neglect the Myspace page. Although somehow – rather miraculously – with the recent Myspace overhaul they have made it even slower and more difficult to update, keep putting tourdates and relevant tour dates and blogs into the site. The worst impression you can give to a new visitor is that nothing is happening with the artist and that no-one seems to care.

As the final part of the three social networks we are looking at, Twitter is definitely the youngest and one that divides opinion over both its usefulness and application. Ask anyone here at Good Lizard Media and we’ll tell you that we recommend all of our artists have an official account. Whether you use twitter just as another channel to send out information and news about what the artist is up to, or you use it as a conversational and engaging way to interact with fans is a decision for each individual artist. Twitter has over 175 million users worldwide so regardless of how you use it, make sure you do.

As with other social networks remember to use different types of media, use your phone or computer to post pictures, link to videos, ask questions and have a keen eye to drawing that traffic either into Facebook, to a mailing list sign-up or to your official website.

For a few good examples of artists using twitter, have a look at:

Mike Skinner – The Streets – @skinnermike

Diplo – @diplo

Example – @example

Johnny Marr – @johnny_marr

The key takeaways from this post that I want to reiterate are that social networks can be used to great effect if you put time and effort into using them effectively. Drive traffic towards places where you can take data or regularly inform your followers and above all be creative with your use of media.

You can find Good Lizard Media ignoring all of our own advice at @goodlizardmedia

David Riley

Co-founder/Director

Good Lizard Media

If you have any questions or if you’d like to talk to us about anything music-related please don’t hesitate to drop us a line on questions@zimbalam.com or via our twitter page

See you next week!